| Brand | Model | Status | Description | Photo Click for more information | Price ex-VAT |
|---|
| AKG | C12 VR | New | Valve microphone including the 50s legendary capsule reissue. |  | Contact us for price! |
| AKG | C414 XLS | New | Evolved successor of the C 414B XLS, 9 selectable polar patterns, 3 HPF positions, 3 pre-attenuation levels, lock function to prevent changing settings when manipulating. |  | 715
( 855 inc-vat ) |
| AKG | C451B | New | Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead miking. |  | 267
( 319 inc-vat ) |
| AKG | C451B/ST | New | Matched pairs of C451B consisting of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program. Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama. The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size). |  | 601
( 719 inc-vat ) |
| Audio-Technica | AT4033 aSM | New | Cardioid condenser microphone with shockmount. |  | 399 334
( 399 inc-vat ) |
| Audio-Technica | AT4040 | New | Cardioid condenser microphone with shockmount. |  | 399 334
( 399 inc-vat ) |
| Audio-Technica | AT4041 | New | Cardioid condenser (electret) microphone. Excellent quality/price ratio. Comes with box, clamps and windscreen. |  | 289 242
( 289 inc-vat ) |
| Audio-Technica | AT4047 SVSM | New | Cardioid condenser microphone with shockmount. Excellent linearity. |  | 699 585
( 700 inc-vat ) |
| Audio-Technica | AT4049B | New | Modular microphone including a 4900B-48 body + a omni 4049B-EL capsule. Comes with a protective carying case, a stand clamp and a windscreen. |  | 498 417
( 499 inc-vat ) |
| Audio-Technica | AT4050 SM | New | Variable pattern condenser microphone with shockmount. |  | 659 552
( 660 inc-vat ) |
| Audio-Technica | AT4051B | New | Modular microphone including a 4900B-48 body + a cardio 4051B-EL capsule. Comes with a protective carying case, a stand clamp and a windscreen. |  | 498 417
( 499 inc-vat ) |
| Audio-Technica | AT4053B | New | Modular microphone including a 4900B-48 body + an hypercardio 4053B-EL capsule. Comes with a protective carying case, a stand clamp and a windscreen. |  | 498 417
( 499 inc-vat ) |
| Beyerdynamic | M 160 | New | The M 160 is a dynamic microphone that, unlike other ribbon mics, has two ribbons! These ribbons, each of which is only two-thousandths of a millimeter thick, are arranged one above the other just half a millimeter apart. Beyerdynamic's masterful technical design and production performance has produced a system that is sonically clear and well defined. Usually used for strings instruments, it can also easily adapt to ambiances or overheads. |  | 350
( 419 inc-vat ) |
| Beyerdynamic | M 88 TG | New | he M 88 offers both a wide frequency response and rugged construction making an ideal combination for many applications. In the studio and live use its high SPL capability allows the microphone to be placed close to loud sound sources such as kick drum and bass guitar. It is also equally impressive as a vocal microphone or for brass and windwood instruments. |  | 278
( 332 inc-vat ) |
| Brauner | P120-VT | New | Very high quality antipop filter with telescopic arms that can be attached to any kind of suspension (including the Brauner ones) by clipping (click thumbnail to see detailed photo). |  | 195
( 233 inc-vat ) |
| Brauner | Phanthera | New | Large capsule static 48V Microphone with Cardioid Pattern. Where the Phantom AE (Phantom C) and Phantom V replicate the sound of the VM1 in a phantom powered microphone, the Phanthera leans more towards the sound of the VMX! |  | 1350 1203
( 1,439 inc-vat ) |
| Brauner | Phanthera Basic | New | Same thing than the Phanthera but comes with no Vovox cable and aluminium case (only stand mount and card box). |  | 1140 999
( 1,195 inc-vat ) |
| Brauner | Phanthera V | New | 3 pattern (Omni, cardioid and figure eight) version of the Phanthera microphone. |  | 2280 2005
( 2,398 inc-vat ) |
| Brauner | Phantom Classic | New | One pattern (cardioide) version of the Phantom V. Excellent very versatile static microphone.
|  | 1050 828
( 990 inc-vat ) |
| Brauner | Phantom Classic Basic | New | Same thing than the Phantom Classic but comes with no Vovox cable and aluminium case (only stand mount and card box). |  | 890 799
( 956 inc-vat ) |
| Brauner | Phantom V | New | Static 48V Microphone with 3 Patterns. |  | 2040 1820
( 2,177 inc-vat ) |
| Brauner | Valvet | New | Valve Microphone with Omni and Cardioid Patterns. |  | 2400 2136
( 2,555 inc-vat ) |
| Brauner | Valvet X | New | Valvet cardio only version. |  | 1975 1664
( 1,990 inc-vat ) |
| Brauner | VM1 | New | Variable Pattern Valve Microphone, amazing sound very similar to Neumann U47. |  | 3920 3490
( 4,174 inc-vat ) |
| Brauner | VM1 Pure Cardioid | New | Cardio only version of the VM1. | --- | 3020 2675
( 3,199 inc-vat ) |
| Brauner | VM1S | New | STEREO Variable Pattern Valve Microphone, stereo version of the VM1. |  | 7670 6855
( 8,199 inc-vat ) |
| Brauner | VMA | New | Build on the same basis than the VM1 but including 2 switchable circuits allowing two different type of sound... |  | 5900 5259
( 6,290 inc-vat ) |
| Brauner | VMX | New | Variable Pattern Valve Microphone using the features of the VMA second circuitry to get a more vintage sound than the classic VM1. |  | 4110 3754
( 4,490 inc-vat ) |
| Brauner | VMX Pure Cardioid | New | Cardio only version of the VMX. | --- | 3180 2826
( 3,380 inc-vat ) |
| Brauner / SPL | Atmos 5.1 | New | Full Surround Sound Capture System. |  | Contact us for price! |
| Coles | 4038 | New | Studio Ribbon Microphone. |  | 895
( 1,070 inc-vat ) |
| Coles | 4040 | New | Studio Ribbon Microphone. |  | 895 850
( 1,017 inc-vat ) |
| Coles | 4104 | New | Speaker Ribbon Microphone. |  | 520
( 622 inc-vat ) |
| Ear Trumpet Labs | Chantelle | New | Chantelle means "she sings", and there is no better name for her. Her design is optimized for easy live use, with a size and shape not too different from standard vocal mics... but her look is all her own, and her sound is stunning. In the studio she has garnered the highest praise from engineers for her clear, exceptionally balanced and pleasing tone on all acoustic instruments. On stage, her excellent feedback rejection and internal pad make her an easily managed replacement for common stage mics, but with far better sound. The pivoting head makes perfect positioning easy, and allows for many different presentations on stage. She has a large diaphragm cardioid condenser capsule mounted in a copper and brass head basket with a heavy brass pivot attaching it to the body. A great-sounding mic for stage or studio; vocals and acoustic instruments especially. |  | 493
( 590 inc-vat ) |
| Ear Trumpet Labs | Edna | New | Visually striking retro-industrial styling combined with great, accurate, detailed sound - Edna is tough and punchy. She's a small diaphragm side-address condenser microphone in a lollipop style housing made from plumbing flanges and stainless steel bolts. Extremely satisfying to hold in the hand, and great looking on stage as either a vocal or instrument mic, Edna also has the clarity and fast transient response to be a fine studio mic for acoustic instruments, electric guitars, or vocals. Cardioid pickup pattern (directional) with great rejection of off-axis sound makes for easy use in a live mix. |  | 439
( 525 inc-vat ) |
| Ear Trumpet Labs | Edwina | New | Edwina has the look of Captain Nemo's control room and the smooth, detailed sound of the finest vocal mics. She has a large diaphragm cardioid condenser capsule mounted in a moderate sized retro-industrial head basket made from plumbing flanges and stainless steel bolts, which is suspended in a pivoting bracket for maximum positioning flexibility. This means she can work as an upright, side-address lollipop style, or as an end-address, with a simple twist of the pivot. She strikes the perfect balance on stage with her distinctive but not dominating looks. A great-sounding mic for stage or studio; vocals, overheads, room, acoustic instruments or electric cabinets. |  | 493
( 590 inc-vat ) |
| Ear Trumpet Labs | Josephine | New | With her large copper suspension ring reminiscent of the broadcast microphones of the 20s and 30s, Josephine makes a strong, elegant statement on stage, yet doesn't get between the performer and the audience. Perfect for vocalists fronting a big band, or any singer wanting to command a room or a festival. The open basket and capsule suspension allows a remarkably clear, vivid, detailed sound that works great in studio recordings too. Cardioid pickup pattern (directional) with great rejection of off-axis sound makes for easy use in a live mix. |  | 493
( 590 inc-vat ) |
| Ear Trumpet Labs | Louise | New | Louise carries her stylistic heritage from 1930s broadcast mics on her sleeve. With a crisp chrome ring and her stainless mesh ball on four springs, she cries out "moderne" with understated elegance. The brass pivoting joint between the ring and body is an elegant visual touch and allows for great flexibility in placing the mic. Extremely stylish, yet unobtrusive when in use. The open basket and capsule suspension allows a remarkably clear, vivid, detailed sound that works great in studio recordings too. Cardioid pickup pattern (directional) with great rejection of off-axis sound makes for easy use in a live mix. |  | 493
( 590 inc-vat ) |
| Electro Voice | RE20 | New | Industry Standard Variable-Dฎ dynamic cardioid microphone l Favorite among broadcasters and sound engineers worldwide l Variable-Dฎ design and heavy-duty, internal P-pop filter reduces proximity effect l Internal element shock mount reduces vibration-induced noise l Bass roll-off switch |  | 599 450
( 538 inc-vat ) |
| Korby | KAT-1 | New | Interchangeable head design tube microphone - with one head of your choice among the 5 existing ones: 251, C12, U67, U47 and C800. Supplied with box, cables and PSU. |  | Contact us for price! |
| Korby | KAT-2 | New | Interchangeable head design tube microphone - with 2 heads of your choice among the 5 existing ones: 251, C12, U67, U47 and C800. Supplied with box, cables and PSU. |  | Contact us for price! |
| Korby | KAT-3 | New | Interchangeable head design tube microphone - with 3 heads of your choice among the 5 existing ones: 251, C12, U67, U47 and C800. Supplied with box, cables and PSU. |  | Contact us for price! |
| Korby | KAT-4 | New | Interchangeable head design tube microphone - with 4 heads of your choice among the 5 existing ones: 251, C12, U67, U47 and C800. Supplied with box, cables and PSU. |  | Contact us for price! |
| Korby | KAT-5 | New | Interchangeable head design tube microphone - with the 5 existing heads: 251, C12, U67, U47 and C800. Supplied with box, cables and PSU. |  | Contact us for price! |
| Latch Lake Music | MicKing 2200 | New | Big microphone stand.
At full extension reaches up to 4meters.
Single release Latch Lake Lever Locksฎ with built in cord clips are featured throughout all stand adjustment.
Click on picture for more infos. |  | 442
( 529 inc-vat ) |
| Latch Lake Music | MicKing 2200 Big Foot | New | Big microphone stand.
Same model as the standard 2200 but with the 3300 Base (heavier & larger).
Click on picture for more infos. |  | 494
( 591 inc-vat ) |
| Latch Lake Music | MicKing 3300 | New | Big microphone stand.
At full extension reaches up to 6 meters.
Single release Latch Lake Lever Locksฎ with built in cord clips are featured throughout all stand adjustment.
Click on picture for more infos. |  | 699
( 836 inc-vat ) |
| Latch Lake Music | Spin Grip | New | Amazing mic mount.
Lets you place your mics in any position. |  | 91
( 109 inc-vat ) |
| Latch Lake Music | Xtra Boom | New | Additional clamp & boom for microphone stand. |  | 78
( 93 inc-vat ) |
| Lewilson | 247 C | New | Very high quality cardioid hand made tube microphone crafted in the USA from the best American and European components. Classic M7 capsule and "cascode" amp design gives the 247 a sound very close to the vintage Neumann family of microphones. |  | 1820 1730
( 2,069 inc-vat ) |
| Lewilson | 247 CO | New | Like 247C but with cardio and omni patterns. |  | 1899 1805
( 2,159 inc-vat ) |
| Lewilson | MP | New | Matched pair option. | --- | Contact us for price! |
| Mojave | MA-101 Fet | New | Small diaphragm, solid-state condenser microphone with interchangeable cardioid and omnidirectional capsules. Well built, with a good balance and a particularly soft high. Can be used in any application where small diaphragm mics usually excel (Ac. instruments with high frequency content, overheads, ambiances, Location Recording, etc..). |  | 501 476
( 569 inc-vat ) |
| Mojave | MA-200 | New | Large diaphragm, vacuum tube condenser microphone with a fixed cardioid polar pattern only. Selected components, very good global frequency balance for a microphone in this price range. |  | 828 786
( 940 inc-vat ) |
| Mojave | MA-201 Fet | New | FET version (48v power) of the MA-200. As the MA-200 it features good selected components and a very good global frequency balance for a microphone in this price range. |  | 510 484
( 579 inc-vat ) |
| Mojave | MA-300 | New | Multi-pattern large diaphragm, vacuum tube condenser microphone. Based upon the MA-200, the MA-300 adds a continuously variable pickup pattern selector (from omnidirectional to figure-eight through cardioid), 15dB pad and a switchable bass roll-off. |  | 1003 953
( 1,140 inc-vat ) |
| Mojave | MA-301 Fet | New | FET version (48v power) of the MA-300 featuring only the Omni, Figure 8 and Cardioid patterns (no intermediate patterns). |  | 744 707
( 846 inc-vat ) |
| Naturel | SR-1 | New | Excellent ribbon microphone, totally hand-crafted in France, with a very warm and natural sound (natural as the name of his manufacturer!). Absolutely comparable in sound to the most reknown ribbon mics. Definitely worth a try! |  | 836
( 1,000 inc-vat ) |
| Neumann | M 147 | New | Universal Vacuum tube condenser microphone with cardioid characteristic. Large capsule derived from the legendary U47/M49 ones. Unique cardioid pattern. |  | 1999
( 2,391 inc-vat ) |
| Neumann | M 149 | New | Valve microphone especially designed for voice, kind of 'modern' version of the M 49, 9 patterns, transformerless output. |  | 3318
( 3,968 inc-vat ) |
| Neumann | M 150 | New | Valve microphone - modern version of the legendary M 50 - Omni pattern. |  | 3898
( 4,662 inc-vat ) |
| Neumann | TLM 49 | New | Cardioid static microphone with large capsule (K47) inspired from the vintage M49. |  | 1115
( 1,334 inc-vat ) |
| Neumann | TLM 67 | New | "Modern" version of the U67. |  | 1378
( 1,648 inc-vat ) |
| Neumann | U 87AI | New | 'Modern' version of the U 87 - 3 switchable patterns. |  | 1990
( 2,380 inc-vat ) |
| Royer | R101 | New | Ribbon Microphone. Little "brother" of the R121. Comes with case and shockmount. |  | 702
( 840 inc-vat ) |
| Royer | R101 Pair | New | Ribbon Microphone pair. Comes with case and shockmount. |  | 1413
( 1,690 inc-vat ) |
| Royer | R121 | New | Ribbon Microphone. |  | 1087
( 1,300 inc-vat ) |
| Royer | R121 Pair | New | Ribbon Mic - Matched Pair. |  | 2341 2174
( 2,600 inc-vat ) |
| Royer | R122 | New | Active Ribbon Mic |  | 1546
( 1,849 inc-vat ) |
| Royer | R122 Pair | New | Active Ribbon Mic - Matched Pair. |  | 3261 3094
( 3,700 inc-vat ) |
| Royer | R122V | New | TUBE Active RIBBON Mic |  | 2717
( 3,250 inc-vat ) |
| Royer | R122V Pair | New | TUBE Active RIBBON Mic - Matched pair. |  | Contact us for price! |
| Royer | SF12 | New | Stereo Ribbon Mic |  | 2383
( 2,850 inc-vat ) |
| Royer | SF24 | New | Active Stereo Ribbon Mic (Phantom Power). |  | 3762
( 4,499 inc-vat ) |
| Royer | SF24V | New | Tube active Stereo Ribbon Mic. |  | 4849
( 5,799 inc-vat ) |
| Royer | Z_AT84 | New | Suspension Shock Mount. |  | Contact us for price! |
| Royer | Z_RSM-1 | New | Professional Suspension Shock Mount. |  | 192
( 230 inc-vat ) |
| Samson | BT4 | New | Microphone telescopic boom stand. Die-cast and steel construction. Sleek black finish. |  | 31
( 37 inc-vat ) |
| Samson | PS01 | New | Standard anti-pop filter with universal mic stand mounting bracket. Nylon mesh screen reduces vocal popping and sibilance. |  | 14
( 17 inc-vat ) |
| Sennheiser | MD421 II | New | One of Sennheiser's most popular microphones! It's the MD 421 II's versatility that's made this one so widely-acclaimed. Its ability to handle high pressure levels makes it a natural for guitars and drums, but that's just the beginning. The MD 421 II's full-bodied cardioid pattern and five-position bass control means it's an excellent choice for most instruments, as well as group vocals, or radio broadcast announcers. One listen and you'll know why it's a classic. |  | 395 320
( 383 inc-vat ) |
| Sennheiser | MD441 U | New | A classic dynamic mic of exceptional quality and versatility that incorporates the best qualities of both dynamic and condenser mic technologies, the MD441 U is acknowledged as one of the most accurate and versatile dynamic mics available. It has a nearly textbook perfect supercardioid polar pattern, a five-position bass contour switch, a critically dampened internal shock suspension, and a humbucking coil. Works nicely for vocals (live) and instruments (drums, percussion, brass, etc..). |  | 810 725
( 867 inc-vat ) |
| Vovox | Direct S - XLR/XLR - 1.0m | New | 1 meter balanced non shielded XLR/XLR microphone cable. A REAL sound difference with standard cable. Choosen by Mr Brauner in person to equip his range of microphones! |  | 50
( 60 inc-vat ) |
| Vovox | Direct S - XLR/XLR - 3.5m | New | 3.5 meter balanced non shielded XLR/XLR microphone cable. A REAL sound difference with standard cable. Choosen by Mr Brauner in person to equip his range of microphones! |  | 80
( 96 inc-vat ) |
| Vovox | Direct S - XLR/XLR - 5.0m | New | 5 meter balanced non shielded XLR/XLR microphone cable. A REAL sound difference with standard cable. Choosen by Mr Brauner in person to equip his range of microphones! |  | 98
( 117 inc-vat ) |
| Vovox | Direct S - XLR/XLR - 7.5m | New | 7.5 meter balanced non shielded XLR/XLR microphone cable. A REAL sound difference with standard cable. Choosen by Mr Brauner in person to equip his range of microphones! |  | 127
( 152 inc-vat ) |
| Vovox | Direct S - XLR/XLR - 10.0m | New | 10 meter balanced non shielded XLR/XLR microphone cable. A REAL sound difference with standard cable. Choosen by Mr Brauner in person to equip his range of microphones! |  | 158
( 189 inc-vat ) |
| Wunder Audio | CM12 | New | The only true AKG C12 replica - equipped with CK12 type capsule / Hiller transformer / NOS GE 5-star 6092 tube / PSU with pattern selector / Cables / Box / Shock Mount! |  | 5600 5320
( 6,363 inc-vat ) |
| Wunder Audio | CM49 | New | One of the best Neumann M49 clone ever - equipped with M7 capsule AC701K / PSU / Cables / Box / Shock Mount and tweed carrying case. |  | 6000 5700
( 6,817 inc-vat ) |
| Wunder Audio | CM50 | New | The best Neumann M50 clone ever - equipped with spherical capsule / AC701K / PSU / Cables / Box / Shock Mount and tweed carrying case. |  | 6400 6080
( 7,272 inc-vat ) |
| Wunder Audio | CM67 | New | Based on the same things that made the original Neumann U67 what it is, the CM67 uses a K67 capsule together with a vintage Telefunken EF86 tube and special transformer designed to allow a perfect balance in the top end. More versatile than the CM7 but "thicker" than the CM7 FET, the CM67 is an ideal microphone not only for vocal but also for any kind of instrument when close-mic is necessary. |  | 3600 3420
( 4,090 inc-vat ) |
| Wunder Audio | CM7 | New | One of the best Neumann U47 clone ever - equipped with M7 capsule / BV8 transformer / EF14 / PSU / Cables / Box / Shock Mount - a litle wonder!!! |  | 5600 5320
( 6,363 inc-vat ) |
| Wunder Audio | CM7 FET | New | A phantom powered version of the original U47 was released in 1969 known as the U47 Fet. The circuit was quite desirable, using transistors creating a very robust sound. The Fet mic has since obtained a legendary status being the most preferred mic in obtaining larger-than-life Kick and Bass tracks as well as thick and full vocals. The U47 Fet is now becoming as sought after as the U47. The research and development for the Wunder Audio CM7 Fet relied on studying the original U47 closely. Employing the exact replica of the original grille is one of the key aspects in achieving the correct performance. The Wunder Audio CM7 Fet Microphone comes with a new K47 dual membrane capsule, wooden microphone box, historic shock mount and 1-year warranty. |  | 2000 1900
( 2,272 inc-vat ) |
| Wunder Audio | CM7-GTS (K47) | New | The CM7-GTS (Glass Tube) is a special version of the CM7. The differences with the regular CM7 are: It uses a NOS Telefunken glass tube (EF14 for the CM7), It has 9 patterns selectable from the PSU (where the CM7 has 3 patterns directly selectable for the mic body) and it comes standard with a K47 capsule (where the CM7 has an M7). As a result, the CM7-GT is less historically correct than the CM7 but still sounds absolutely fantastic. |  | 3200 3040
( 3,636 inc-vat ) |
| Wunder Audio | CM7-GTS (M7) | New | Version of the CM7-GT with M7 capsule. |  | 3360 3190
( 3,815 inc-vat ) |