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Funky Junk France - Product List - Dynamics
110 items available
| Brand | Model | Status | Description | Photo Click for more information | Price ex-VAT |
|---|---|---|---|---|---|
| A Designs | HM2 Compressor - NAIL | New | Nwe compressor from A Designs, the NAIL is a Feedback, Diode based design combined with tubes. This combination qualifies it to be a Hybrid. Beside traditional controls, it features a Hard Threshold, a HPF and a Mix (blend) adjustment making it a real creative tool far beyond the simple control of the dynamic! |  | 1655 ( 1,979 inc-vat ) |
| AL.SO | Dynax 2 | New | High quality STEREO opto compressor - adapted to sound recording as well as intense dynamic processing (effects). | ) | ( 3,540 inc-vat ) |
| AL.SO | Hellax | New | All-purpose mono compressor based on the DYNAX². This quality-manufactured unit offers a very low distortion with powerful features, from light compression to sound shaping, for a competitive price. | ) | ( 1,890 inc-vat ) |
| Alan Smart | C1 | New | SSL type stereo compressor |  | ( 2,003 inc-vat ) |
| Alan Smart | C2 | New | Like the C1 with "CRUSH" |  | ( 2,488 inc-vat ) |
| Alan Smart | C2M | New | Like the C2 but with only one set of controls. Version dedicated to stereo signal processing. |  | ( 2,003 inc-vat ) |
| Alan Smart | C2R2 | New | C2 Channel extender. |  | ( 1,673 inc-vat ) |
| Anthony de Maria | ADL 660 | New | Mono version of the 670. | ) | 10110 ( 12,092 inc-vat ) |
| Anthony de Maria | ADL 670 | New | Perfect copy of the Fairchild 670 - excellent! |  | 13720 ( 16,409 inc-vat ) |
| Anthony de Maria | CL 1000 | New | Mono version of the SCL-1500 |  | 1160 ( 1,387 inc-vat ) |
| Anthony de Maria | SCL 1500 | New | Stereo TUBE compressor - The best existing LA-2A replica - very hot sound, great for takes, great for mixes! |  | 2040 ( 2,440 inc-vat ) |
| Aphex | Dominator 2 | Used | Stereo MultiBand peak limiter designed to fit a wide range of applications. Through the use of MultiBand techniques along with patented Aphex technologies, the limiting action is practically inaudible such that greater limiting depth is possible, resulting in higher loudness while maintaining audio quality. At virtually any limiting depth, the Dominator II is free of most artifacts normally associated with limiters. As a peak overshoot protection limiter, the Dominator II is undetectable in line while it absolutely prevents peak levels from exceeding a user settable output level. In addition, the desired limiting effects of greater audio density and increased punch are readily available with the Dominator II. | ) | |
| API | 2500 | New | Stereo Compresseur with 2 vu-meters. |  | ( 2,893 inc-vat ) |
| API | 525 | New | 500 series module - Classic discrete Compressor/Limiter/Desser. | ) | ( 1,224 inc-vat ) |
| API | 527 | New | 500 series module - Modern version of the 525. | ) | ( 1,062 inc-vat ) |
| Avalon | AD2044 | New | Dual/stereo CLASS A discrete comp |  | 2488 ( 2,976 inc-vat ) |
| Avalon | VT 747 SP | New | TUBE stereo spectral opto compressor & EQ |  | 1999 ( 2,391 inc-vat ) |
| Avalon | VT 747 SP | Used | TUBE stereo spectral opto compressor & EQ |  | ( 1,794 inc-vat ) |
| BAE Audio | 10DC | New | NEW: "10DC" Stands for "10-Series Dynamic Compressor". Joining the rest of the famous BAE 10-Series (1073, 1023, etc.) It is reminiscent of the famous Neve 33609 but with improvements like adjustable attack ranging from 2 to 80ms and more: It is fully Class A, it features a transformer coupled, all-discrete circuitry that is sonically familiar to the BAE Class A line of gear, ideal for achieving the classic analogue sound favorable in today's digital recording. Stepped Elma switches for every control, a reverse analog meter, and the trademark Marconi knobs facilitate ease of use and repeatability. Independent circuitry for compressor and limiter allows use of one or both for greater control. Also featured is a true bypass that is stereo-linkable. | ) | 1297 ( 1,551 inc-vat ) |
| Buzzaudio | Essence | New | True Class A Differential Optical Compressor for API 500 series. Click the adjacent thumbnail for detailed information. |  | ( 1,304 inc-vat ) |
| Buzzaudio | Potion | New | True Class A FET Compressor for API 500 series. Click the adjacent thumbnail for detailed information. |  | ( 1,304 inc-vat ) |
| Buzzaudio | SOC-1.1 | New | Stereo Optical Compressor. Click the adjacent thumbnail for detailed information. |  | ( 2,607 inc-vat ) |
| Cartec | THC | New | The THC is a two channel hybrid compressor that employs eight valves and four discrete amplifiers to achieve a unique level of control over dynamic range, harmonic distortion content, and tonal balance. After the transformer coupled input, audio is split into two separate parallel processing paths. The first stage is a pair of variable transconductance EF183 valves operating in a push-pull configuration and feeding an ECC82 with an interstage transformer. By varying the input and output level in different proportions, this stage can change from fast, transparent compression, to a more aggressive crushing character with added distortion. The second stage which splits from a separate winding of the input transformer, is intended to be blended together with the compressed output to either restore some natural dynamics, or add extra character. This uncompressed or 'Dry' signal is passed though a set of passive filters which allow three different bass and three different treble shelving frequencies to be boosted, should you want to blend a higher amount of a particular uncompressed frequency range. In combination with this is a variable asymmetrical clipping threshold, which can greatly increase the second harmonic content for anything from subtle warming, to heavy distortion, and added to taste or even used as an effect on its own. Both signal paths each have a separate output fader before the discrete mix bus and transformer coupled output amplifier. The THC can also form a passive Mid/Side encoding and decoding matrix with its input and output transformers, and features a switchable sidechain high pass filter at two frequencies. | ) | ( 5,091 inc-vat ) |
| Chandler | Germanium Compressor | New | Mono Compressor - Germanium transistor based circuits. Needs a PSU-1 power supply. | ) | 1310 ( 1,567 inc-vat ) |
| Chandler | Little Devil Comp | New | 500 series Fet compressor module using concepts from both the Chandler Germanium and the vintage Neve 2264 Compressor. | ) | 913 ( 1,092 inc-vat ) |
| Chandler | LTD-2 | New | Mono compressor based on the Neve 2254 circuits. Warm and creamy... Needs a PSU-1 power supply. | ) | 1310 ( 1,567 inc-vat ) |
| Chandler | LTD-2 Mastering | New | LTD-2 Mastering version pair. Requires a PSU-1 power supply. | 2939 ( 3,515 inc-vat ) | |
| Chandler | PSU-1 | New | PSU for TG or LT series units. | ( 289 inc-vat ) | |
| Chandler | TG1 | New | Stιrιo/Dual Compressor, recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's.without PSU. Needs a PSU-1 power supply. | ) | 3284 ( 3,928 inc-vat ) |
| Chandler | Zener | New | Stιrιo/Dual Compressor, recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's. Extended version of the TG1. Needs a PSU-1 power supply. | ) | 3932 ( 4,703 inc-vat ) |
| Crane Song | STC-8 | New | Stereo compressor combined with a remarkably dependable peak limiter, providing overload protection critical to digital recording and broadcasting. Engineered to provide musically transparent gain control, but also capable of emulating vintage equipment. | ) | for price! |
| Crane Song | Trakker | New | Single Channel Discrete Class A Compressor Limiter. It functions either as a musically transparent compressor or as a vintage compressor/limiter with selectable hard or soft knee. | ) | for price! |
| DBX | 1066 | Used | Stereo compressor + limiter + gate. Made in US | ) | ( 287 inc-vat ) |
| DBX | 160A | Used | Classic allaround VCA compressor. Made in USA. 2 units available | ) | |
| DBX | 166A | Used | Simple and efficient Compressor/limiter + gate. Made in USA | ) | ( 96 inc-vat ) |
| DBX | 166XL | Used | Simple and efficient Compressor/limiter + gate. | ) | ( 132 inc-vat ) |
| Drawmer | DL221 | Used | Industry standard budget dual mono/stereo compressor/limiter, widely used since the mid 80s. Side chain inputs, preset peak limiter. Easy to use, clearly laid out, but the meters are not always terrifically accurate. The first and least cluttered of a family that later added expanders, variable soft/hard knee options and even gates. | ) | |
| Drawmer | DS201 | Used | Classic unit, the DS 201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. | ) | |
| EAR | 660 | New | Valve Mono Compressor / Limiter - Fairchild 660 like. |  | ( 10,931 inc-vat ) |
| Elysia | Alpha Compressor | New | Mighty tool for professional dynamics processing. Featuring innovative functions and providing absolutely uncompromising sound quality, it sets new standards for enhancing any kind of audio material. It offers M/S processing, parallel compression, limiters, as well as sidechain and audio filters, just to name a few. Detailed description by clicking the thumbnail on the right. |  | ( 9,556 inc-vat ) |
| Elysia | Mpressor | New | The mpressor is a new tool for modern dynamics processing. On top of the tried and tested standard features, this creative compressor provides several special functions that produce fat and freaky sounds with maximum punch, beautiful colorations and extreme processing options. Besides classic tracking applications, its favorite domains are groovy effect compression and creative sound design. Detailed description by clicking the thumbnail on the right. |  | ( 4,019 inc-vat ) |
| Elysia | Nvelope | New | Stereo and rack version of the nvelope 500. This unit is capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well. The nvelope 500 operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. With its unique Dual Band mode, the nvelope 500 gives you enhanced control over processing, and can easily handle complex program material. Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high/low shelf EQ... | ) | ( 1,184 inc-vat ) |
| Elysia | Xpressor | New | 2 channel multi-purpose compressor. Its discrete audio path running in constant class-A mode combines a clear and open sound with a good lot of punch. | ) | ( 1,184 inc-vat ) |
| Elysia | Xpressor 500 | New | Extremely versatile stereo compressor available in API's 500 series format. Its discrete audio path running in constant class-A mode provides a superior audio quality which combines a clear and open sound with a good lot of punch. | ) | ( 776 inc-vat ) |
| Empirical Labs | DerrEsser | New | Multi function dynamic filtering device, in an API 500 series module format. In its basic DS mode, the DerrEsser is an effective, level insensitive de-esser, which is a device that will adjust the high frequency gain on overly trebly or spiky vocal, or other source. By using a crossover technique, and dividing the audio up into a high frequency range and a low frequency range, the DerrEsser can use its Voltage Controlled Amp to turn down comparatively high or harsh high frequencies in an extremely musical manner. However, unlike other de-essers, the device is not limited to just de-essing, and allows for multi use of its circuitry. | ) | ( 562 inc-vat ) |
| Empirical Labs | Distressor EL-8/MX | New | Digitally controlled mono analog compresseur. "Image Link" et "British Sound" included. | ) | ( 1,619 inc-vat ) |
| Empirical Labs | Distressor EL-8/SX | New | STEREO version of the Distressor EL-8. | ) | ( 3,240 inc-vat ) |
| Empirical Labs | Fatso Junior EL-7 | New | Light version of the STEREO Distressor. Includes the "Analog Tape Simulator" and "Optimizer" options. | ) | ( 2,320 inc-vat ) |
| Fairchild | 663 | Used | Fairchild 663 module pair serviced, racked and powered by Funky Junk. If the Fairchild 660 is compared to the Urei LA2A, the Fairchild 663 is the Urei 1176. | ) | ( 1,495 inc-vat ) |
| GML | 2030 | New | The Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded. Based on the proven GML Series III control and audio architecture, this no-compromise dynamic range controller continues the GML engineering tradition and expands familiar Model 8900 capabilities, including multi-channel operation. Needs 2 external 9015 PSUs. | ) | ( 6,749 inc-vat ) |
| GML | 8900 | New | The 8900 Dynamic Range Controller was intrinsically developed to react to loudness (rather than volts) like our ears do. The 8900s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just level. This unusual design employs unique controls, like Crest Factor, Timing, and Release Hysteresis to access the parameters that you really want to adjust. The entire audio path is all-discrete, including the VCA. Needs an external PSU (9015). | ) | ( 5,298 inc-vat ) |
| Gyraf Audio | Gyratec III | New | True tube stereo compressor based on the opto VCA principle. This method - controlling the gain by the means of a light dependent resistor - is not as fast as the vari-mu method, but much more subtle sonically. This principle is known from eg. the classic Universal audio LA2, LA3 and LA4 compressors | ) | ( 2,320 inc-vat ) |
| Gyraf Audio | Gyratec X | New | Real tube stereo compressor based on the classic variable-mu principle. This method - controlling the gain by altering quesient current in differential tube pairs - is much faster than the optical method. The speed is why it was widely used in early limiter devices such as the Fairchild 670 or the Universal Audio 176, but the sonic byproducts of this topology are the main reasons why it is so popular today. | ) | ( 3,228 inc-vat ) |
| JDK Audio | R 22 | New | Dual channel compressor, designed from the ground up by API's design team. | ) | ( 1,100 inc-vat ) |
| Joemeek | C2 | Used | Stereo optical compressor. | ) | |
| Klark Teknik | DN514 | Used | Very efficient and robust quad channel auto gate. | ) | ( 275 inc-vat ) |
| Kush Audio | UBK Fatso EL-7 | New | Empirical Labs EL-7 customized version by KUSH AUDIO, more "violent"!
More Info | ) | ( 2,701 inc-vat ) |
| Manley | Elop | New | 2 Channel tube compresseur using optical detection. Very similar to the old Teletronix and Urei LA-2A units but with better specifications... | ) | 2449 ( 2,929 inc-vat ) |
| Manley | Variable MU | New | Stereo tube compressor based on the Vari MU technology. | ) | 3253 ( 3,891 inc-vat ) |
| Manley | Variable MU Mastering | New | Mastering vesrion of the Vari-Mu compressor. | ) | 4096 ( 4,899 inc-vat ) |
| Maselec | MDS-2 | New | Dual mono, linkable, high frequency limiter primarily intended for use as a de-esser, reducing unattractive high frequencies, with minimum coloration and loss of clarity. Developed by Leif Mases (Producer or recording engineer for Jeff Beck, Led Zeppelin, Black Sabbath, ABBA, and many others...) | ) | ( 2,595 inc-vat ) |
| Maselec | MLA-2 | New | The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design. Great for recording or mastering. Developed by Leif Mases (Producer or recording engineer for Jeff Beck, Led Zeppelin, Black Sabbath, ABBA, and many others...) | ) | ( 3,265 inc-vat ) |
| Maselec | MLA-3 | New | The MLA-3 is a stereo multiband compressor with superb features. Its has a stunning efficiency when used on mixes and is really the top tool for dynamic control in Mastering. Developed by Leif Mases (Producer or recording engineer for Jeff Beck, Led Zeppelin, Black Sabbath, ABBA, and many others...) | ) | ( 4,090 inc-vat ) |
| Maselec | MPL-2 | New | Very high quality limiter and deesser. Allows removal of spurious peaks, and an increase of subjective levels, without the coloration and increased distortion so often associated with soft clippers and other ultra fast limiters. Developed by Leif Mases (Producer or recording engineer for Jeff Beck, Led Zeppelin, Black Sabbath, ABBA, and many others...) | ) | ( 2,595 inc-vat ) |
| Millennia | TCL-2 | New | Stereo optical compressor / limiter both with tube and solid state paths (Twin Topology). Both topologies are entirely transformerless, high voltage and pure Class A. | ) | ( 3,551 inc-vat ) |
| Neve | 2254/R | New | Classic mono limiter/compressor made to the exacting late-1960s design but compatible with Neve Recall software (allowing to save and recall the unit settings). | ) | 1776 ( 2,124 inc-vat ) |
| Neve | 2264A | New | Classic Mono Limiter/Compressor. The legendary 2264A is now available again! With discrete, Class A/B design and transformer-coupled circuits used in the input, innovative bridge-driver design, side-chain and output stages, the 2264A delivers a totally unique sound! This module shares the same format than the 1073 module and needs a box like the 1073 3U or the 1084 5U to work. | ) | 2251 ( 2,692 inc-vat ) |
| Neve | 2264A LB | New | Now available as a 500 series module, the 2264A is a mythical compressor that is still sought after, decades after production stopped. A great news for the "lunchbox" and other module box owners. | ) | 1120 ( 1,340 inc-vat ) |
| Neve | 33609/JD | New | Stereo Limiter / Compressor. |  | 3042 ( 3,638 inc-vat ) |
| Pendulum Audio | ES-8 | New | The ES-8 is a modern two channel limiter designed to have the compression characteristics of a vintage unit, but with a higher level of sonic accuracy. Rather than trying to recreate the past, we've taken an entirely different approach. The ES-8 uses a remote-cutoff triode with the same dynamic characteristics as the 6386 tubes used in the Fairchild 660. Subsequent amplification is accomplished with a Class A, balanced transformerless line amp, rather than the push-pull transformer output stage used on vintage variable-mu units. The result is a new class of limiters that possess the 'dynamic signature' of a classic tube compressor, but with a more accurate, less colored signal path. | ) | ( 3,696 inc-vat ) |
| Pendulum Audio | OCL-2 | New | The OCL-2 is a two channel electro-optical compressor/limiter designed for the utmost in transparency, detail and versatility. Our short signal path design uses a custom optical input attenuation network in front of an all tube class A gain stage. Since the signal path is entirely transformerless, we've eliminated the coloration inherent in traditional transformer-coupled tube designs. The result is an open, detailed sound with an expanded sound stage and clarity that can only be achieved with modern tube circuitry. | ) | ( 3,026 inc-vat ) |
| Pendulum Audio | OCL-500 | New | The OCL-500 has the same compression circuit as the OCl-2, but uses a transformerless class A solid-state gain makeup circuit in place of the tube stage. The result is clean, transparent compression that can be used to shape the dynamics of any source while preserving its tone. Like the OCL-2, the OCL-500 has a wide variety of time constants and dynamic control to optimize the compression characteristics, including a sidechain hi-pass filter. | ) | ( 1,124 inc-vat ) |
| Pendulum Audio | PL-2 | New | The PL-2 is a stand-alone two channel version of the very popular peak limiter in our Quartet II Tube Recording Channel. It uses a novel approach to brickwall limiting in the analog domain, one that is fast enough to prevent digital overs without using time delay or phase-shift delay techniques. This allows us to keep the analog signal path short, and keep the limiting circuit 'switched out' of the signal path below the peak limiting threshold. Distortion for all levels below the the limiting threshold is low, and does not rise as the threshold for limiting is approached. Unlike analog peak clippers, which chop off the top and bottom of the waveform, our limiter retains dynamic information at the top of the peak. | ) | ( 2,547 inc-vat ) |
| Ridge Farm | Boiler | New | "HARD" stereo compressor - the TOP for the ''LOOPS'' in London........… |  | 988 ( 1,182 inc-vat ) |
| Rupert Neve Designs | Portico 2 Channel | New | Self-powered 2U channel module comprised of a fully-featured mic preamplifier, 4-band EQ, compressor-limiter, texturecontrol and level metering, The Portico II Channel includes a bevy of new features including: Variable Silk / Silk+ Texture control, a fully tunable de-esser, multiple VCA filtering and detection options, a transient-optimized swept HPF and parallel compression blending. | ) | 2633 ( 3,149 inc-vat ) |
| Rupert Neve Designs | Portico 5015 V | New | Vertical version of the 5015 H - allows insertion in a 5285-RM frame. | ) | 1505 ( 1,800 inc-vat ) |
| Rupert Neve Designs | Portico 5043 H | New | 2 Channels Limiter / Compressor. | ) | 1467 ( 1,755 inc-vat ) |
| Rupert Neve Designs | Portico 5043 V | New | Vertical version of the 5043 H - allows insertion in a 5285-RM frame. | ) | 1467 ( 1,755 inc-vat ) |
| SSL | E Series DYN 500 | New | Modern version of the series 4000E console channel comp as 500 series module! | ) | 584 ( 698 inc-vat ) |
| SSL | X-Rack Dynamics | New | Compressor / Expander / Gate X-Rack module (XL9000K circuits). | ) | 584 ( 698 inc-vat ) |
| SSL | X-Rack E Series Comp Module | New | Comp. X-Rack module (4000 E Series circuit). | ) | 584 ( 698 inc-vat ) |
| SSL | X-Rack G Series Comp | New | Compressor X-Rack module (G Series). | ) | 1392 ( 1,665 inc-vat ) |
| SSL | XLogic Stereo Compressor | New | Stereo Compressor |  | 2303 ( 2,754 inc-vat ) |
| Summit | DCL-200 | New | Stereo Limiter/Compressor with hybrid Tube/Solid State technology. | ) | 2458 ( 2,940 inc-vat ) |
| Summit | TLA-100A | New | Mono compressor with hybrid Tube/Solid State technology. | ) | 1544 ( 1,847 inc-vat ) |
| Summit | TLA-50 | New | Mono tube Limiter/Compressor - 1/2 RACK FORMAT. | ) | ( 623 inc-vat ) |
| Thermionic Culture | Culture Vulture | New | Originally designed as a "distortion box" to simulate distortion in valve amps it has found lots of uses beyond this. Some people use it on drum loops, vocals, piano sounds and even across entire tracks (it is a stereo unit). | ) | ( 1,698 inc-vat ) |
| Thermionic Culture | Culture Vulture MV | New | Culture Vulture Mastering version. Transformer balanced inputs & outputs on stereo jacks. Transformer balanced rear mounted bypass switch. Large indented input Drive controls. Indented Output Controls. Specially selected or military type valves with longer life and low microphony. Carefully matched 5725 distortion valves. | ) | ( 2,332 inc-vat ) |
| Thermionic Culture | Nightingale | New | 2 channel mic amp/equaliser and mono compressor. 1/2 rack format. Accessory rack available to accommodate a second unit or a Freebird. | ) | ( 2,750 inc-vat ) |
| Thermionic Culture | The Phoenix | New | The Phoenix is an all-tube stereo compressor, which can be used as a pair of mono compressors. It has a soft knee or variable mu characteristic in that the compression ratio increases with the amount of compression being used. Initial compression is 1.2:1 increasing to 5:1 at 15dB compression. | ) | ( 4,099 inc-vat ) |
| Thermionic Culture | The Phoenix MV | New | Phoenix Mastering version. | ) | ( 4,350 inc-vat ) |
| TK Audio | BC1 MK2 | New | The BC1 provides smooth buss compression associated with one of the most famous buss compressors from the mid 80s. Mixing engineers call it the magic glue when transparent compression strengthens mixes without compromising clarity. The BC1 provides just that kind of compression bringing cohesion and punch; equally useful for drum buss and instrument compression. |  | 1011 ( 1,209 inc-vat ) |
| TK Audio | BC2-ME | New | "Mastering" version of the BC1. During years of success with the BC1 TK Audio got a lot of requests of customize units with stepped controls, more suitable for mastering. Therefore TK launched the BC2-ME, a unit perfect for mastering. Except for the stepped controls TK also added some nice features like illuminated switches, switchable output-stage between electronically-balanced or transformer balanced class-A. BC2-ME uses the same basic sound path as the BC1, plus the extra features. The class-A mode offers a more vintage tone, like fat, punchy low-end response with more low mid character. The output section is the same as we use in the DP1. BC2-ME also has a switch that adds extra harmonics to the compressed signal. The blend control offers 23 steps from straight to compressed signal. |  | 1747 ( 2,089 inc-vat ) |
| Tonelux | TX5C | New | 500 series compressor module. Discrete Design, with Custom Tonelux Opamps, Blending of Feed-Forward and Feed-Back Compression, Wet/Dry Mix control and Gain Make-up Control for Parallel Compression, 6 LED Gain Reduction Meter, Over Compression and TILT EQ in the Side Chain. | ) | 595 ( 712 inc-vat ) |
| Tornade MS | ES Series Bus Compressor | New | The \\\"ES-Series Stereo Bus Compressor\\\" is based on a solid state technology. Hand Made in France using only the finest components. Front and back panels are made of black anodized brushed aluminium, painted engraving. Very efficient to raise up the average level, the E series compressor offers unrivalled punch either on an entire mix or on separate channels. It tends to add depth and width to mixes while still being very musical. Over the classic compression features, the E series Stereo buss comp offers a variable High pass filter, Dry to mix function (parallel compression) and a Key input to control the compression from an external source. | ) | ( 1,860 inc-vat ) |
| Tubetech | CL 1B | New | Mono Compressor. |  | ( 2,978 inc-vat ) |
| Tubetech | CL 2A | New | Stereo Compressor. |  | ( 3,690 inc-vat ) |
| Tubetech | LCA 2B | New | Stιrιo Compressor/Limiter. |  | ( 3,983 inc-vat ) |
| Tubetech | SMC 2B | New | Multiband Stereo Compressor |  | ( 4,246 inc-vat ) |
| Tubetech | SMC 2BM | New | Multiband Stereo Compressor. SMC 2B mastering version. | ( 5,490 inc-vat ) | |
| Universal Audio | 1176 LN | New | Mono FET compressor - 'modern' version of the 1176. | ) | 1621 ( 1,939 inc-vat ) |
| Universal Audio | 2-1176 | New | Stereo/Dual compressor, 2 channel version of the 1176LN. | ) | 2112 ( 2,526 inc-vat ) |
| Universal Audio | 4-710d | New | Four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UA's classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup. | ) | 1621 ( 1,939 inc-vat ) |
| Universal Audio | LA-3A | New | Mono optical compressor - Classic LA-3A reissue. | ) | 1621 ( 1,939 inc-vat ) |
| Universal Audio | LA-3A D | New | Double mono optical compressor - 2 channel version of the LA-3A. | 3312 ( 3,961 inc-vat ) | |
| Universal Audio | Teletronix LA-2A | New | Mono tube limiter/compressor - Classic LA-2A reissue. | ) | 2758 ( 3,299 inc-vat ) |
| Valley | Dynamite | Used | Vintage stereo Comp + Lim + Gate + Expander. Was a must have in the 80s. Unit with a very peculiar sound that allows making things quite impossible to achieve with standard dynamic control units. The compressor and limiter allows to obtain drastic effects and the Gate is one of the best in its category. | ) | |
| Vertigo Sound | VSC-2 | New | Dual/stereo compressor for recording AND Mastering. Built around handbuilt discrete VCAs. Superb sound, to be listened absolutely! |  | ( 4,712 inc-vat ) |
| Vintage Design | C1 Mk1 | Used | Mono, all class-A compressor based around the compressor section of the CL1mk2. Like the CL1mk2 the C1mk2 a balanced input and output through Carnhill/St'Ives transformers. The combining of transformer-balanced circuits and a diode bridge as gain circuits gives the unit the most wanted sound character with its smooth compression and warm soft distortion. Some of the most wanted vintage compressors like the 2254, 2264, 33609, Siemens and EMI used this style of gain reduction circuitry. The only difference on the Mk2 version is the stepped threshold control. | ) | |
| WesAudio | Beta 76 | New | 1176 style compressor. Vintage / Modern switch allowing to pass from a classic electronic input stage to a transformer based input stage (carhnill). 3 positions high pass filter. | ) | ( 1,190 inc-vat ) |
All our used equipment is serviced before being sold
PRICES EXCLUDE VAT, SHIPPING OR COMMISSIONING AND CAN BE MODIFIED WITHOUT NOTICE
We can arrange crating, shipping and insurance. let us quote for installation and commissioning.
sales@funkyjunkfrance.com
