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Funky Junk France - Product List - Dynamics
95 items available
| Brand | Model | Status | Description | Photo Click for more information | Price ex-VAT |
|---|---|---|---|---|---|
| A Designs | HM2 Compressor - NAIL | New | Nwe compressor from A Designs, the NAIL is a Feedback, Diode based design combined with tubes. This combination qualifies it to be a Hybrid. Beside traditional controls, it features a Hard Threshold, a HPF and a Mix (blend) adjustment making it a real creative tool far beyond the simple control of the dynamic! |  | for price! |
| AL.SO | Dynax 2 | New | High quality STEREO opto compressor - adapted to sound recording as well as intense dynamic processing (effects). | ) | ( 3,540.16 inc-vat ) |
| AL.SO | Hellax | New | All-purpose mono compressor based on the DYNAX². This quality-manufactured unit offers a very low distortion with powerful features, from light compression to sound shaping, for a competitive price. | ) | ( 1,889.68 inc-vat ) |
| Alan Smart | C1 | New | SSL type stereo compressor |  | ( 2,003.30 inc-vat ) |
| Alan Smart | C2 | New | Like the C1 with "CRUSH" |  | ( 2,487.68 inc-vat ) |
| Alan Smart | C2M | New | Like the C2 but with only one set of controls. Version dedicated to stereo signal processing. |  | ( 2,003.30 inc-vat ) |
| Alan Smart | C2R2 | New | C2 Channel extender. |  | ( 1,673.20 inc-vat ) |
| Anthony de Maria | ADL 660 | New | Mono version of the 670. | ) | ( 13,395.20 inc-vat ) |
| Anthony de Maria | ADL 670 | New | Perfect copy of the Fairchild 670 - excellent! |  | ( 18,179.20 inc-vat ) |
| Anthony de Maria | CL 1000 | New | Mono version of the SCL-1500 |  | ( 1,621.78 inc-vat ) |
| Anthony de Maria | SCL 1500 | New | Stereo TUBE compressor - The best existing LA-2A replica - very hot sound, great for takes, great for mixes! |  | ( 2,679.04 inc-vat ) |
| Anthony de Maria | SCL 1500 | Used | Stereo TUBE compressor. Mint condition, very little use. | ) | |
| API | .2500 | New | Stereo Compresseur with 2 vu-meters. |  | ( 2,790.27 inc-vat ) |
| API | 225L | New | 200 series module - Compressor/Limiter. | ) | ( 680.52 inc-vat ) |
| API | 235L | New | 200 series module - Descrete Noise Gate & Expander. | ) | ( 680.52 inc-vat ) |
| API | 525 | New | 500 series module - Classic discrete Compressor/Limiter/Desser. | ) | ( 1,113.48 inc-vat ) |
| API | 527 | New | 500 series module - Modern version of the 525. | ) | ( 934.08 inc-vat ) |
| Avalon | AD2044 | New | Dual/stereo CLASS A discrete comp |  | ( 2,655.12 inc-vat ) |
| Avalon | VT 747 SP | New | TUBE stereo spectral opto compressor & EQ |  | ( 2,200.64 inc-vat ) |
| Buzzaudio | Essence | New | True Class A Differential Optical Compressor for API 500 series. Click the adjacent thumbnail for detailed information. |  | ( 1,100.32 inc-vat ) |
| Buzzaudio | Potion | New | True Class A FET Compressor for API 500 series. Click the adjacent thumbnail for detailed information. |  | ( 1,100.32 inc-vat ) |
| Buzzaudio | SOC-1.1 | New | Stereo Optical Compressor. Click the adjacent thumbnail for detailed information. |  | ( 2,212.60 inc-vat ) |
| Chandler | Germanium Compressor | New | Mono Compressor - Germanium transistor based circuits. Needs a PSU-1 power supply. | ) | ( 1,499.78 inc-vat ) |
| Chandler | Little Devil Comp | New | 500 series Fet compressor module using concepts from both the Chandler Germanium and the vintage Neve 2264 Compressor. | ) | ( 949.62 inc-vat ) |
| Chandler | LTD-2 | New | Mono compressor based on the Neve 2254 circuits. Warm and creamy... Needs a PSU-1 power supply. | ) | ( 1,499.78 inc-vat ) |
| Chandler | LTD-2 Mastering | New | LTD-2 Mastering version pair. Requires a PSU-1 power supply. | ( 3,400.23 inc-vat ) | |
| Chandler | PSU-1 | New | PSU for TG or LT series units. | ( 220.06 inc-vat ) | |
| Chandler | TG1 | New | Stιrιo/Dual Compressor, recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's.without PSU. Needs a PSU-1 power supply. | ) | ( 3,649.00 inc-vat ) |
| Chandler | Zener | New | Stιrιo/Dual Compressor, recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's. Extended version of the TG1. Needs a PSU-1 power supply. | ) | ( 4,249.39 inc-vat ) |
| Crane Song | STC-8 | New | Stereo compressor combined with a remarkably dependable peak limiter, providing overload protection critical to digital recording and broadcasting. Engineered to provide musically transparent gain control, but also capable of emulating vintage equipment. | ) | for price! |
| Crane Song | Trakker | New | Single Channel Discrete Class A Compressor Limiter. It functions either as a musically transparent compressor or as a vintage compressor/limiter with selectable hard or soft knee. | ) | for price! |
| DBX | 160A | Used | Mono Compressor. Highly flexible, affordable studio compression with precise control. Mint condition. 2 units are available with consecutive serial numbers. | ) | |
| Drawmer | 1968 ME | Used | Excellent stereo FET compressor with variable tube output stages. As new condition. | ) | |
| Drawmer | DL241 | Used | Dual Channel 'Auto-Compressor'and Gate, very versatile and easy to use. Mint condition. | ) | ( 299.00 inc-vat ) |
| EAR | 660 | New | Valve Mono Compressor / Limiter - Fairchild 660 like. |  | ( 10,584.60 inc-vat ) |
| Elysia | Xpressor | New | 2 channel multi-purpose compressor. Its discrete audio path running in constant class-A mode combines a clear and open sound with a good lot of punch. | ) | ( 1,184.04 inc-vat ) |
| Elysia | Xpressor 500 | New | Extremely versatile stereo compressor available in API's 500 series format. Its discrete audio path running in constant class-A mode provides a superior audio quality which combines a clear and open sound with a good lot of punch. | ) | for price! |
| Empirical Labs | DerrEsser | New | Multi function dynamic filtering device, in an API 500 series module format. In its basic DS mode, the DerrEsser is an effective, level insensitive de-esser, which is a device that will adjust the high frequency gain on overly trebly or spiky vocal, or other source. By using a crossover technique, and dividing the audio up into a high frequency range and a low frequency range, the DerrEsser can use its Voltage Controlled Amp to turn down comparatively high or harsh high frequencies in an extremely musical manner. However, unlike other de-essers, the device is not limited to just de-essing, and allows for multi use of its circuitry. | ) | ( 489.16 inc-vat ) |
| Empirical Labs | Distressor EL-8/MX | New | Digitally controlled mono analog compresseur. "Image Link" et "British Sound" included. | ) | ( 1,450.75 inc-vat ) |
| Empirical Labs | Distressor EL-8/SX | New | STEREO version of the Distressor EL-8. | ) | ( 2,900.30 inc-vat ) |
| Empirical Labs | Fatso Junior EL-7 | New | Light version of the STEREO Distressor. Includes the "Analog Tape Simulator" and "Optimizer" options. | ) | ( 2,049.94 inc-vat ) |
| GML | 2030 | New | The Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded. Based on the proven GML Series III control and audio architecture, this no-compromise dynamic range controller continues the GML engineering tradition and expands familiar Model 8900 capabilities, including multi-channel operation. Needs 2 external 9015 PSUs. | ) | ( 5,787.44 inc-vat ) |
| GML | 8900 | New | The 8900 Dynamic Range Controller was intrinsically developed to react to loudness (rather than volts) like our ears do. The 8900s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just level. This unusual design employs unique controls, like Crest Factor, Timing, and Release Hysteresis to access the parameters that you really want to adjust. The entire audio path is all-discrete, including the VCA. Needs an external PSU (9015). | ) | ( 4,799.55 inc-vat ) |
| Gyraf Audio | Gyratec III | New | True tube stereo compressor based on the opto VCA principle. This method - controlling the gain by the means of a light dependent resistor - is not as fast as the vari-mu method, but much more subtle sonically. This principle is known from eg. the classic Universal audio LA2, LA3 and LA4 compressors | ) | ( 2,320.24 inc-vat ) |
| Gyraf Audio | Gyratec X | New | Real tube stereo compressor based on the classic variable-mu principle. This method - controlling the gain by altering quesient current in differential tube pairs - is much faster than the optical method. The speed is why it was widely used in early limiter devices such as the Fairchild 670 or the Universal Audio 176, but the sonic byproducts of this topology are the main reasons why it is so popular today. | ) | ( 3,228.00 inc-vat ) |
| JDK Audio | R 22 | New | Dual channel compressor, designed from the ground up by API's design team. | ) | ( 892.22 inc-vat ) |
| Kush Audio | UBK Fatso EL-7 | New | Empirical Labs EL-7 customized version by KUSH AUDIO, more "violent"!
More Info | ) | ( 2,744.82 inc-vat ) |
| Langevin | Elop | New | Stereo Electro-Optical compressor. | ) | 1274 ( 1,523.70 inc-vat ) |
| Manley | Elop | New | 2 Channel tube compresseur using optical detection. Very similar to the old Teletronix and Urei LA-2A units but with better specifications... | ) | 2316 ( 2,769.94 inc-vat ) |
| Manley | Variable MU | New | Stereo tube compressor based on the Vari MU technology. | ) | 3076 ( 3,678.90 inc-vat ) |
| Maselec | MDS-2 | New | Dual mono, linkable, high frequency limiter primarily intended for use as a de-esser, reducing unattractive high frequencies, with minimum coloration and loss of clarity. Developed by Leif Mases (Producer or recording engineer for Jeff Beck, Led Zeppelin, Black Sabbath, ABBA, and many others...) | ) | ( 2,595.32 inc-vat ) |
| Maselec | MLA-2 | New | The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design. Great for recording or mastering. Developed by Leif Mases (Producer or recording engineer for Jeff Beck, Led Zeppelin, Black Sabbath, ABBA, and many others...) | ) | ( 3,265.08 inc-vat ) |
| Maselec | MLA-3 | New | The MLA-3 is a stereo multiband compressor with superb features. Its has a stunning efficiency when used on mixes and is really the top tool for dynamic control in Mastering. Developed by Leif Mases (Producer or recording engineer for Jeff Beck, Led Zeppelin, Black Sabbath, ABBA, and many others...) | ) | ( 4,090.32 inc-vat ) |
| Maselec | MPL-2 | New | Very high quality limiter and deesser. Allows removal of spurious peaks, and an increase of subjective levels, without the coloration and increased distortion so often associated with soft clippers and other ultra fast limiters. Developed by Leif Mases (Producer or recording engineer for Jeff Beck, Led Zeppelin, Black Sabbath, ABBA, and many others...) | ) | ( 2,595.32 inc-vat ) |
| Maselec | MPL-2 | Used | A great impressive Mastering limiter + deesser, one of the best machine of its kind. As new condition, very little use, we rarely come across this unit used so don't miss out! | ) | |
| Millennia | TCL-2 | New | Stereo optical compressor / limiter both with tube and solid state paths (Twin Topology). Both topologies are entirely transformerless, high voltage and pure Class A. | ) | ( 3,341.62 inc-vat ) |
| Neve | 2254/R | New | Classic mono limiter/compressor made to the exacting late-1960s design but compatible with Neve Recall software (allowing to save and recall the unit settings). | ) | 1719 ( 2,055.92 inc-vat ) |
| Neve | 2264A | New | Classic Mono Limiter/Compressor. The legendary 2264A is now available again! With discrete, Class A/B design and transformer-coupled circuits used in the input, innovative bridge-driver design, side-chain and output stages, the 2264A delivers a totally unique sound! This module shares the same format than the 1073 module and needs a box like the 1073 3U or the 1084 5U to work. | ) | 2175 ( 2,601.30 inc-vat ) |
| Neve | 2264A LB | New | NEW! Now available as a 500 series module, the 2264A is a mythical compressor that is still sought after, decades after production stopped. A great news for the "lunchbox" and other module box owners. | ) | 1083 ( 1,295.27 inc-vat ) |
| Neve | 33609/JD | New | Stereo Limiter / Compressor. |  | 3106 ( 3,714.78 inc-vat ) |
| Pendulum Audio | ES-8 | New | The ES-8 is a modern two channel limiter designed to have the compression characteristics of a vintage unit, but with a higher level of sonic accuracy. Rather than trying to recreate the past, we've taken an entirely different approach. The ES-8 uses a remote-cutoff triode with the same dynamic characteristics as the 6386 tubes used in the Fairchild 660. Subsequent amplification is accomplished with a Class A, balanced transformerless line amp, rather than the push-pull transformer output stage used on vintage variable-mu units. The result is a new class of limiters that possess the 'dynamic signature' of a classic tube compressor, but with a more accurate, less colored signal path. | ) | ( 3,492.32 inc-vat ) |
| Pendulum Audio | OCL-2 | New | The OCL-2 is a two channel electro-optical compressor/limiter designed for the utmost in transparency, detail and versatility. Our short signal path design uses a custom optical input attenuation network in front of an all tube class A gain stage. Since the signal path is entirely transformerless, we've eliminated the coloration inherent in traditional transformer-coupled tube designs. The result is an open, detailed sound with an expanded sound stage and clarity that can only be achieved with modern tube circuitry. | ) | ( 2,846.48 inc-vat ) |
| Pendulum Audio | OCL-500 | New | The OCL-500 has the same compression circuit as the OCl-2, but uses a transformerless class A solid-state gain makeup circuit in place of the tube stage. The result is clean, transparent compression that can be used to shape the dynamics of any source while preserving its tone. Like the OCL-2, the OCL-500 has a wide variety of time constants and dynamic control to optimize the compression characteristics, including a sidechain hi-pass filter. | ) | ( 1,088.36 inc-vat ) |
| Pendulum Audio | PL-2 | New | The PL-2 is a stand-alone two channel version of the very popular peak limiter in our Quartet II Tube Recording Channel. It uses a novel approach to brickwall limiting in the analog domain, one that is fast enough to prevent digital overs without using time delay or phase-shift delay techniques. This allows us to keep the analog signal path short, and keep the limiting circuit 'switched out' of the signal path below the peak limiting threshold. Distortion for all levels below the the limiting threshold is low, and does not rise as the threshold for limiting is approached. Unlike analog peak clippers, which chop off the top and bottom of the waveform, our limiter retains dynamic information at the top of the peak. | ) | ( 2,380.04 inc-vat ) |
| Ridge Farm | Boiler | New | "HARD" stereo compressor - the TOP for the ''LOOPS'' in London........… |  | ( 1,124.24 inc-vat ) |
| Rupert Neve Designs | Portico 2 Channel | New | Self-powered 2U channel module comprised of a fully-featured mic preamplifier, 4-band EQ, compressor-limiter, texturecontrol and level metering, The Portico II Channel includes a bevy of new features including: Variable Silk / Silk+ Texture control, a fully tunable de-esser, multiple VCA filtering and detection options, a transient-optimized swept HPF and parallel compression blending. | ) | ( 2,899.10 inc-vat ) |
| Rupert Neve Designs | Portico 5015 V | New | Vertical version of the 5015 H - allows insertion in a 5285-RM frame. | ) | ( 1,599.05 inc-vat ) |
| Rupert Neve Designs | Portico 5043 H | New | 2 Channels Limiter / Compressor. | ) | ( 1,559.58 inc-vat ) |
| Rupert Neve Designs | Portico 5043 V | New | Vertical version of the 5043 H - allows insertion in a 5285-RM frame. | ) | ( 1,559.58 inc-vat ) |
| SSL | G384 | Used | Classic Bus Compressor. Rackmount version of the SSL G Series stereo desk output compressor. Selectable fixed attack, release and ratio values, but variable threshold and gain make up. Also includes the same "autofade" feature than found on the SSL 4000 desk. | ) | ( 2,744.82 inc-vat ) |
| SSL | X-Rack Dynamics | New | Compressor / Expander / Gate X-Rack module (XL9000K circuits). | ) | 560 ( 669.76 inc-vat ) |
| SSL | X-Rack E Series Comp Module | New | Comp. X-Rack module (4000 E Series circuit). | ) | 560 ( 669.76 inc-vat ) |
| SSL | X-Rack G Series Comp | New | Compressor X-Rack module (G Series). | ) | 1488 ( 1,779.65 inc-vat ) |
| SSL | XLogic Stereo Compressor | New | Stereo Compressor |  | 2383 ( 2,850.07 inc-vat ) |
| Summit | DCL-200 | New | Stereo Limiter/Compressor with hybrid Tube/Solid State technology. | ) | 2458 ( 2,939.77 inc-vat ) |
| Summit | TLA-100A | New | Mono compressor with hybrid Tube/Solid State technology. | ) | 1544 ( 1,846.62 inc-vat ) |
| Summit | TLA-50 | New | Mono tube Limiter/Compressor - 1/2 RACK FORMAT. | ) | ( 623.12 inc-vat ) |
| Thermionic Culture | Culture Vulture | New | Originally designed as a "distortion box" to simulate distortion in valve amps it has found lots of uses beyond this. Some people use it on drum loops, vocals, piano sounds and even across entire tracks (it is a stereo unit). | ) | ( 1,450.75 inc-vat ) |
| Thermionic Culture | Culture Vulture MV | New | Culture Vulture Mastering version. Transformer balanced inputs & outputs on stereo jacks. Transformer balanced rear mounted bypass switch. Large indented input Drive controls. Indented Output Controls. Specially selected or military type valves with longer life and low microphony. Carefully matched 5725 distortion valves. | ) | ( 1,949.48 inc-vat ) |
| Thermionic Culture | The Phoenix | New | The Phoenix is an all-tube stereo compressor, which can be used as a pair of mono compressors. It has a soft knee or variable mu characteristic in that the compression ratio increases with the amount of compression being used. Initial compression is 1.2:1 increasing to 5:1 at 15dB compression. | ) | ( 3,599.96 inc-vat ) |
| Thermionic Culture | The Phoenix MV | New | Phoenix Mastering version. | ) | ( 4,200.35 inc-vat ) |
| TK Audio | BC1 MK2 | New | The BC1 provides smooth buss compression associated with one of the most famous buss compressors from the mid 80s. Mixing engineers call it the magic glue when transparent compression strengthens mixes without compromising clarity. The BC1 provides just that kind of compression bringing cohesion and punch; equally useful for drum buss and instrument compression. |  | 920 ( 1,100.32 inc-vat ) |
| TL Audio | VCC1 | New | Dual Valve Compressor. | ) | ( 1,350.28 inc-vat ) |
| Tubetech | CL 1B | New | Mono Compressor. |  | ( 2,978.04 inc-vat ) |
| Tubetech | CL 2A | New | Stereo Compressor. |  | ( 3,689.66 inc-vat ) |
| Tubetech | LCA 2B | New | Stιrιo Compressor/Limiter. |  | ( 3,982.68 inc-vat ) |
| Tubetech | SMC 2B | New | Multiband Stereo Compressor |  | ( 4,245.80 inc-vat ) |
| Tubetech | SMC 2BM | New | Multiband Stereo Compressor. SMC 2B mastering version. | ( 5,489.64 inc-vat ) | |
| Universal Audio | 1176 LN | New | Mono FET compressor - 'modern' version of the 1176. | ) | 1480 ( 1,770.08 inc-vat ) |
| Universal Audio | 2-1176 | New | Stereo/Dual compressor, 2 channel version of the 1176LN. | ) | 2084 ( 2,492.46 inc-vat ) |
| Universal Audio | 4-710d | New | Four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UA's classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup. | ) | 1459 ( 1,744.96 inc-vat ) |
| Universal Audio | LA-3A | New | Mono optical compressor - Classic LA-3A reissue. | ) | 1208 ( 1,444.77 inc-vat ) |
| Universal Audio | LA-3A D | New | Double mono optical compressor - 2 channel version of the LA-3A. | 2396 ( 2,865.62 inc-vat ) | |
| Universal Audio | Teletronix LA-2A | New | Mono tube limiter/compressor - Classic LA-2A reissue. | ) | 2165 ( 2,589.34 inc-vat ) |
| Vertigo Sound | VSC-2 | New | Dual/stereo compressor for recording AND Mastering. Built around handbuilt discrete VCAs. Superb sound, to be listened absolutely! |  | ( 4,712.24 inc-vat ) |
All our used equipment is serviced before being sold
PRICES EXCLUDE VAT, SHIPPING OR COMMISSIONING AND CAN BE MODIFIED WITHOUT NOTICE
We can arrange crating, shipping and insurance. let us quote for installation and commissioning.
sales@funkyjunkfrance.com
